Last Sunday I took part in a very unconventional story/experiential theatre event run by a friend of mine. I live-composed the music. The event involved taking an audience on a fictional journey into space. Then (whilst in that context) they were given amazing lectures by real rocket scientists (Dr David McKeown), artists (Toby Harris, Sinead McDonald, Jeffrey Roe and more. The talks were diverse but relevant. Imagine hearing what space travel would feel like – as if you and the whole theatre was in fact in a spaceship – travelling through space. Kate Genevieve, a visual artist talked about the messages sent with the Voyager space probe. A man from SETI (Alan Penny) informed us of the best way to survive first contact in a suitably realist approach. There was more, but I’ll get to that nearer the end.
And I? I powered the spaceship with music.
It’s because of Leila Johnston – Hack Circus is her thing. She asked if I would like to create music to simulate ‘hypersleep’ during extended space travel, I went one step further and wrote the following email reply…
I have a great job of being the hyperspace engineer – the piano keyboard is in fact my console muwahaha
Leila responded with;
Oh I love that. Yes! Play us into hyperspace! What a lovely lovely idea.
This really captured my imagination, so much so that I appeared to send the following response:
Yes, the equations are quite complicated to most people. But hyperspace mathematics calculations actually have more in common with Bach fugues than physics, turns out those aren’t musical pieces but formulae all along. A fantastically complicated spatial equation can be surprisingly easy to solve musically which is why the keyboard is my usual preference for transport consoles. Bach was a hyperspace engineer from the future who got stuck in a time travel incident. Before he got transferred back to his timeline he enjoyed annotating his equations in musical form and confusing the natives.
Though the sustain pedal just puts the kettle on
I found this in my ‘sent’ items the next morning, and hurriedly dashed off an apology for sleep-emailing. Clearly I had really taken my role as Hyperspace Engineer to heart.
For some reason this didn’t put her off, and the event was quite literally a blast.
There were cabin crew. There were flashing lights. There was hazard tape. Dr Lewis Dartnell, an astrobiologist, played some amazing sounds from space that triggered my synaesthesia like you wouldn’t believe.
The sound of Saturn’s rings original, courtesy Cassini Radio & Plasma Wave Science team:
“…the sounds produced are exciting! You can listen to the sound of passing through the ring dust by clicking here. Listen ” (nb the ‘Listen’ link opens up a video file)
Wow! What magical unearthly sounds! What a weird recording! I had to share how wonderful it felt to absorb these strange vibrations! I attempted to convey my synaesthetic response to the sound of Saturn’s rings – what I hear when I hear them… and this is the result.
For those interested, here’s the mission page. Off topic, I’m joyous to report that the Sun in our solar system plays a giant Major 7th.